Jonathan Butler and Gerald Albright

Born and raised in Los Angeles, Albright was already an accomplished saxophonist by the time he enrolled at the University of Redlands, but he switched to bass after he saw Louis Johnson in concert. A few months after graduating from college, he joined jazz pianist/R&B singer Patrice Rushen, who was in the process of forming her own band. Later, when the bassist left in the middle of a tour, Albright replaced him and finished the tour on bass guitar. Playing both sax and bass, he became the consummate session and touring musician in the 80s, working with everyone from Anita Baker, Ray Parker, Jr., Atlantic Starr, The Temptations and Maurice White to Les McCann, Teena Marie, the Winans and Whitney Houston.

Between his last two Grammy-nominated solo albums Pushing The Envelope (2010) and Slam Dunk (2014), he enjoyed hit collaborations with two huge hits – 24/7 with guitarist Norman Brown and Summer Horns by Dave Koz and Friends (including Mindi Abair and Richard Elliot), which were also Grammy-nominated for Best Pop Instrumental Albums. He toured with Brown and Summer Horns, and most recently has been on the road with South Africa gospel/jazz singer and guitarist Jonathan Butler. Albright’s other albums whose titles perfectly reflect their flow include Smooth (1994), Groovology (2002), Kickin’ It Up (2004) and Sax for Stax (2008).

Jonathan Butler is a singer-songwriter and guitarist who leads a life few can imagine. Born in South Africa under the shadow of apartheid and raised in poverty, Butler was the first non-white artist to be played on South African radio and appear on national television. Though his musical abilities would take him away from the world he grew up in, Jonathan would neither forget the plight of his fellow South Africans, nor the man that led them to freedom. It is for this reason Nelson Mandela credits Butler’s music as having inspired him during his imprisonment. In more ways than one, Jonathan Butler is representative of South Africa.

At thirteen, Jonathan’s talents caught the eyes and ears of the British record producer Clive Caulder. He was signed to Caulder’s Jive Records and the rest is history. Jonathan’s first single broke down racial barriers becoming the first song by a black artist played by white radio stations in South Africa and won the South African equivalent to a Grammy®. His commitment to his craft came to fruition with his self-titled debut album, which received a Grammy® nomination for the pop hit “Lies.” An instrumental “Going Home” earned him another Grammy® nomination and the mid-tempo ballad “Sarah, Sarah” confirmed Butler’s place in popular music. However, to Jonathan Butler, success is measured on a higher plane. A religious and spiritual man, Butler dedicates his life to being a devoted father and grandfather, and a caring citizen to his homeland, South Africa. And in spite of all the hardships, Jonathan Butler has an air of playfulness and quiet resilience that is easily visible in his passionate performances.

July 14 at 8PM at the Rivers Casino Philadelphia Event Center. A full bar will be available. Free parking on-site. Must be 21+